EASE Focus 3 is an acoustic simulation program for 3D modeling of line arrays, sub arrays, digitally steered columns and conventional loudspeakers. Thanks to the support from major loudspeaker manufacturers, EASE Focus 3 is free software for the end user. Based on AFMG’s leading simulation software EASE, this concept made it possible to implement a broad scope of features and functionality. • Simulate line arrays, column speakers, point sources, and sub arrays • Define audience areas, section views, and receiver locations flexibly • Calculate sound coverage and frequency response immediately • Use systems of different manufacturers within one project • Use FIRmaker optimization to compute FIR filters tailored to the venue With EASE Focus 3, system designers can simulate the acoustical performance of the complete sound system to find the optimal setup for a given venue with multiple audience areas, curved and inclining seating.

Focus 3 assists the user with many intelligent features such as Auto Splay functions, Virtual EQ, and detailed analysis of sound coverage, SPL and frequency response.

EASE is the industry-standard software that allows the creation of a 3-D acoustic model of any room and the simulation of a sound system in that room. First the room data is entered.

This post originally appeared on by our friends at Soundfly. Whether you’re working out of, your Digital Audio Workstation (or, DAW) is probably the single most important part of your setup. It’s the bridge of your musical Starship Enterprise, containing and co-ordinating all the software and hardware you use to create and communicate each of your decisions. It’s no surprise then, that much like the fights that people have over Nintendo/Xbox/Playstation or iOS/Android, the world of audio production is rife with software fan service and forum flame wars (harmless, of course, but they can be quite harsh!) Part of my job is to help you cut through all the post-truth out there and make the right choice for you about where to lay your precious tracks.

In the interest of doing just that, I’m going to deal with a controversial point straight up: There is very little, if anything, that differentiates DAWs in terms of pure sound quality. Without diving deep into the complex, fascinating, and heady science of signal processing, all major recording software is now able to sample using at least 32-bit floating point calculations. If you’re really interested in this (and why wouldn’t you be?) to the science behind this topic. But basically, any DAW you choose will deliver the same audio transparency and clarity. The quality of your mix will come down what you put into the DAW; which is why making the right choice for you is so important. Just like there’s no guitar that will suit all guitarists, there’s no platform that will be right for every producer. It’s about choosing the one with the workflow and atmosphere that makes you feel at home and gets your songs where they need to be.

I’ve tried a bunch of DAWs in my time and I’m always looking for a cool new thing. The reality is that it’s hard to be a jack-of-all-trades with recording software. At some point you need to dive in a build a relationship with your DAW, mastering its peculiar perks and quirks. I should disclose that I’m deep in a ten-year love/hate relationship with Ableton Live (I teach the free course on Soundfly on how to use Ableton for on-stage electronic syncing and processing). I’m also friendly with REAPER, suspicious of Pro Tools, and really intrigued by Logic Pro X and Studio One 3.

What follows is one muso trying to be fair and fun about a topic that’s full of myths, tribalism, and a bit too much seriousness. Not every DAW on the planet is mentioned here, so feel free to add your preferred programs in the comments below! Onwards, upwards, and in no particular order: GarageBand Arguably the most popular DAW ever created, GarageBand comes free with every Macintosh computer and boasts a simple, clean interface. The last couple of versions have seen GarageBand come to resemble a diet version of Apple’s flagship DAW, Logic (discussed below). It’s both and loathed for its limitations.

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Case in point: Claire Boucher, also known as, recorded her breakthrough album Visions using nothing but GarageBand. That is, before later renouncing the platform as far too limited. Pros Simplicity is the major selling point here.