___________________________________________________ George Harrison All Things Must Pass gn Records / Capitol Records CDP 7243 5 30474 2 9 ___________________________________________________ It’s been thirty years since ‘All Things Must Pass’ was recorded. I still like the songs on the album and believe they can continue to outlive the style in which they were recorded. It was difficult to resist re-mixing every track. All these years later I would like to liberate some of the songs from the big production that seemed appropriate at the time, but now seem a bit over the top with the reverb in the wall of sound.

All Things Must Pass George Harrison. Hi-Res 24-bit – 96.00 kHz. Includes: 1 Digital booklet. Released on January 12, 2015 by UMC (Universal Music Catalogue) Main artist: George Harrison. Genre: Pop/Rock > Rock.

Still, it was an important album for me and a timely vehicle for all the songs I’d been writing during the last period with The Beatles. I began recording just months after we had all finally decided to go our separate ways and I was looking forward to making the first solo album of ‘songs’ (as opposed to ‘Wonderwall’ and ‘Electronic Music’ which were instrumentals). I was fortunate to be in the right place to have the remnants of The Delaney and Bonnie band.

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The drum, bass and keyboard players, namely Jim Gordon, Carl Radle and Bobby Whitlock had come to England to hang out with Eric Clapton (fast becoming Derek and the Dominoes). They had just been touring with Delaney & Bonnie as I had been the year before. We even recorded two of the Dominoes songs, ‘Roll It Over’ and ‘Tell The Truth’, during the ‘All Things Must Pass’ sessions which they re-recorded later.

It was really nice to have their support in the studio and it helped me a lot. It goes without saying that it has always been a pleasure to have my old friend Ringo playing drums, and although he probably can’t remember, he did play on a good fifty or sixty percent of the album along with Klaus on bass, Billy Preston on piano and a few new friends I was in the process of making: Gary Wright and Gary Brooker. Some of the sessions were very long in the preparation of the sound and the arrangements had at time various percussion players, sometimes two or three; two drummers, four or five acoustic guitars, two pianos and even two basses on one of the tracks. The songs were played over and over again until the arrangements were sorted out so that the engineer in the control room could get the sound with Phil Spector. Many of the tracks were virtually live. A lot of people new to me came into the sessions, I know not how; the most famous being Phil Collins.

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